Grand Wilson fonts from Letterhend Studio

Grand Wilson fonts from Letterhend Studio - (lupsr)

Designed by Hendry Juanda, Grand Wilson is a modern calligraphy, sans serif and script font family. This typeface has two styles and was published by Letterhend Studio.

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Introducing, Grand Wilson, a pair of font that brings the modern and casual feel in the same time. The Bold sans combined with the natural hand writing script are the perfect match for you who needs a typeface for headline, logotype, apparel, invitation, branding, packaging, advertising etc.

Features :
- 2 fonts (bold sans and script font)
- uppercase & lowercase
- numbers and punctuation
- multilingual
- alternates & ligatures
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Grand Wilson

Sunny Weather fonts from Hanoded - (ikzji)

Designed by David Kerkhoff, Sunny Weather is a hand display, hand drawn and script font family. This typeface has two styles and was published by Hanoded . Download Now Server 1 Download Now Server 3 Download Now Server 2 Spring is in the air! My chickens are broody and are sitting on an ever increasing pile of eggs; my fruit trees are budding and the sun is shining! Sunny Weather is a happy kind of font: it was handwritten, using a Sharpie pen. It comes with double letter ligatures and a good dose of vitamin D! Sunny Weather

[ahsgy] Download Shutterbug JNL fonts from Jeff Levine Fonts

Designed by Jeff Levine, Shutterbug JNL is a display and novelty font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 Shutterbug JNL

Grimmig fonts from Schriftlabor - (iaawk)

Designed by Lisa Schultz and Tamara Pilz, Grimmig is a serif font family. This typeface has ten styles and was published by Schriftlabor . Download Now Server 1 Download Now Server 3 Download Now Server 2 Grimmig draws inspiration from solid and angular blackletter shapes and the idea of cutting letters out of paper. The interaction between curves, sharp edges, and partially unconventional serif placement makes it an excellent typeface for impactful headlines. The vivid details fade into the background in smaller sizes and provide an enjoyable reading experience for continuous text. Open counters and a large x-height contribute to Grimmig ’s legibility in text sizes. It was developed as part of the MA Typeface Design in the University of Reading but had started before as a graduation project for Tamara Pilz. We produced it together with Tamara to reach the best quality. Grimmig

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